Friday, June 29, 2007

The AFI Top 100 Films - Part 2

In analyzing 'The AFI's 100 Years...100 Movies: 10th Anniversary Edition', that was recently announced, I've taken a look at how my 'Oscar Director-y' Top 25 fared, and found that 45 % of the Top 100 were directed by filmmakers on my list. Here's a look at how my Top 12 did:

1. William Wyler - #37 - The Best Years of Our Lives; #100 - Ben-Hur. Wyler lost Wuthering Heights (previously #73)
2. Steven Spielberg - #8 - Schindler's List; #24 - E.T.: The Extra-Terrestrial; #56 - Jaws; #66 - Raiders of the Lost Ark; #71 - Saving Private Ryan. Spielberg had more films on the new AFI list - five - than any other director. Saving Private Ryan was new to his total, and he lost Close Encounters of the Third Kind (#64).
3. John Ford - #12 - The Searchers; #23 - The Grapes of Wrath. Ford lost Stagecoach (#63).
4. George Cukor - #44 - The Philadelphia Story. He lost My Fair Lady (#91).
5. Billy Wilder - #16 - Sunset Boulevard; #22 - Some Like it Hot; #29 - Double Indemnity; #80 - The Apartment.
6. George Stevens - #45 - Shane; #90 - Swing Time. Swing Time was new to his total, but he lost Giant (#82) and A Place in the Sun (#92).
7. Henry King - no films.
8. Michael Curtiz - #3 - Casablanca; #98 - Yankee Doodle Dandy.
9. Fred Zinnemann - #27 - High Noon. He lost From Here to Eternity (#52).
10. Martin Scorsese - #4 - Raging Bull; #52 - Taxi Driver; #92 - Goodfellas.
11. Robert Wise - #40 - The Sound of Music; #51 - West Side Story.
12. Elia Kazan - #19 - On the Waterfront; #47 - A Streetcar Named Desire.


The rest of the 'Oscar-Director-y' Top 25 has not been published yet, but, alphabetically, here is how they did with the new AFI listing:

Woody Allen - #35 - Annie Hall.
Frank Capra - #20 - It's a Wonderful Life; #26 - Mr. Smith Goes to Washington; #46 - It Happened One Night.
Francis Ford Coppola - #2 - The Godfather; #30 - Apocalypse Now; #32 - The Godfather II.
Alfred Hitchcock - #9 - Vertigo; #14 - Psycho; #48 - Rear Window; #55 - North by Northwest.
John Huston - #31 - The Maltese Falcon; #38 - The Treasure of the Sierra Madre; #65 - The African Queen.
Henry Koster - no films.
Stanley Kramer - lost his only film Guess Who's Coming to Dinner (#99).
David Lean - #7 - Lawrence of Arabia; #36 - Bridge on the River Kwai. He lost Doctor Zhivago (39).
Mervyn Leroy - no films.
Joseph Mankiewicz - #28 - All About Eve.
Vincente Minnelli - no films.
Sydney Pollack - #69 - Tootsie.
Sam Wood - #85 - A Night at the Opera.

Steven Spielberg led the new AFI list, with 5 films mentioned. Three directors each had 4 films named: Billy Wilder, Alfred Hitchcock and Stanley Kubrick. Kubrick, currently ranked 66th on the 'Oscar Director-y', was represented by 2001: A Space Odyssey (#15), Dr. Strangelove (#39), A Clockwork Orange (#70), and Spartacus (#81).

Wednesday, June 27, 2007

The AFI Top 100 Films - Part 1

On June 20, the American Film Institute presented their annual Top 100 list. This one was called '100 Years...100 Movies: 10th Anniversary Edition'. It was an updating of the list originally compiled in 1997, with the inclusion of movies made in the last decade. Well, the new films didn't fare very well, as only four made the new list: Titanic (1997), Saving Private Ryan (1998), The Sixth Sense (1999) and The Lord of the Rings: The Fellowship of the Ring (2001). What was interesting was the inclusion of 19 other films that hadn't made the cut the first time around. The recognition of Buster Keaton's masterpiece, The General (1927) in the 18th spot, was, to me, a bit curious. Not good enough ten years ago to make the Top 100, now it's better than such films as On the Waterfront, It's a Wonderful Life, Some Like it Hot, The Grapes of Wrath and To Kill a Mockingbird (all ranked between 19th and 25th). Two other silent-era films joined the elite list, Intolerance (#49), and Sunrise (#82). Other films surprisingly omitted previously, but now finding their way into the new list: Nashville (#59), Sullivan's Travels (#61), Cabaret (#63), Who's Afraid of Virginia Woolf (#67), The Shawshank Redemption (#72), In the Heat of the Night (#75), All the President's Men (#77), Spartacus (#81), A Night at the Opera (#85), 12 Angry Men (#87), Swing Time (#90), Sophie's Choice (#91), The Last Picture Show (#95), Do the Right Thing (#96), Blade Runner (#97) and Toy Story (#99).

In order for these 23 films to have been injected into the current Top 100, a like amount of pretty decent movies had to bite the dust. Here is the list of former 1997 favorites, now left on the outskirts of popularity:

#39 Doctor Zhivago
#44 The Birth of a Nation
#52 From Here to Eternity
#53 Amadeus
#54 All Quiet on the Western Front
#57 The Third Man
#58 Fantasia
#59 Rebel Without a Cause
#63 Stagecoach
#64 Close Encounters of the Third Kind
#67 The Manchurian Candidate
#68 An American in Paris
#73 Wuthering Heights
#75 Dances with Wolves
#82 Giant
#84 Fargo
#86 Mutiny on the Bounty
#87 Frankenstein
#89 Patton
#90 The Jazz Singer
#91 My Fair Lady
#92 A Place in the Sun
#99 Guess Who's Coming to Dinner

Now, from that list, we have eight Oscar-winning Best Pictures(From Here to Eternity, Amadeus, All Quiet on the Western Front, An American in Paris, Dances with Wolves, Mutiny on the Bounty, Patton and My Fair Lady), the first 'talkie'(The Jazz Singer), one of the first classic horror films (Frankenstein), a classic western (Stagecoach), and one of the great love stories ever (Wuthering Heights).

There's a lot of room for discussion here, don't you think, and that is basically what these AFI Top 100 lists are all about. For film afficionados, why one film makes the list, while another one doesn't, is enough to drive some of us up the proverbial wall. The benificiaries of these surveys are the casual film watchers, the ones who say, "hey, I should check out these films that I've missed, and see what all the fuss is about". Something like that. Fortunately, just about everything these days is available on DVD, so there are no excuses for missing some of the great films of all-time.

For a complete list of the newest AFI Top 100 list, go to AFI.com, where the films are listed, along with all the other AFI Top 100 lists of the past ten years.

In Part 2, I'll examine how the 'Oscar Director-y' list relates to this AFI reshuffling of its top films.



Sunday, June 17, 2007

A little tweaking

I've done a little tweaking on the 'Oscar Director-y' of late. I've added 'Most notable films' at the beginning of each post, listing, in my opinion, the five best known films of each director profiled. This will help to identify the filmmaker quickly to the casual visitor to this blogsite. For example, the last posting was on June 12th, "#12 - Elia Kazan - 59/21/13", to which I've now added: Most notable films: Gentleman's Agreement, A Streetcar Named Desire, Viva Zapata!, On the Waterfront, East of Eden.



In just over three months, the 'Oscar Director-y' has now been viewed on all six continents. I just hope that whomever is reading it can understand English. I would also love to have someone comment on what they're reading, pro or con. It might make for a better blogsite if I can get a little bit of feedback.

After counting down the Top 10, I've been currently counting 'up': #11 - Robert Wise, #12 - Elia Kazan. Coming up next week will be #13. Check back to the post from May 13th, "Just the beginning", to see the director's still available to choose from. RayB

Tuesday, June 12, 2007

#12 - Elia Kazan - 59/21/13

Most notable films: Gentleman's Agreement (1947), A Streetcar Named Desire (1951), Viva Zapata!(1952), On the Waterfront (1954), East of Eden (1955)

One of the most acclaimed, yet controversial directors ever, Elia Kazan has made his mark on stage and in film for over 40 years. His career is notable for the many classic plays and films he directed, and for his decision to testify during the Hollywood blacklisting scandal of the early 1950's.

With 59 nominations and 21 wins over 13 films, Elia Kazan ranks #12 on the 'Oscar Director-y'.

Born on September 7, 1909, in what is now Istanbul, Turkey, Elias Kazanjoglou was the son of Greek parents. They emigrated to New York in 1913, and Elias would eventually graduate from New Rochelle High School. He attended Williams College in Massachusetts, graduating with a Bachelors Degree in 1930, then went to the Yale School of Drama, from 1930 to 1932. He landed a job as an apprentice at the Group Theater in New York, which had been formed by Lee Strasberg, Cheryl Crawford and Harold Clurman. The name came from the idea of the actors as a pure ensemble, without any 'stars', although many of the group did go on to become stars, including Lee J. Cobb, John Garfield, Howard Da Silva, Luther Adler, Franchot Tone and Will Geer. Also in the group was playwright Clifford Odets, and future acting instructors Stella Adler and Sanford Meisner. Kazan worked as an actor and stage manager, and began directing plays in the mid-1930's. He acted in a couple of films in Hollywood (City for Conquest, Blues in the Night) in the early '40's, then returned to New York to direct his first hit play, the Group Theater's production of Thornton Wilder's The Skin of Our Teeth. With this success, Hollywood called again, this time with directorial offers. In 1945, Kazan's film of A Tree Grows in Brooklyn was nominated for two Academy Awards, failing to win for Adapted Screenplay, but winning a Supporting Actor Oscar for James Dunn. Dunn became the first of 21 actors to be nominated in Kazan-helmed films, with 9 (including Dunn) taking home the golden statuette: Celeste Holm (Gentleman's Agreement), Vivien Leigh, Karl Malden, Kim Hunter (A Streetcar Named Desire), Anthony Quinn (Viva Zapata!), Marlon Brando, Eva Marie Saint (On the Waterfront), and Jo Van Fleet (East of Eden). Only William Wyler (#1 on the Oscar Director-y) directed more Oscar winning performances (13). Here is a list of Kazan's nominated films, with the number of nominations, and Oscars won:

A Tree Grows in Brooklyn (1945) 2/1
Boomerang (1947) 1/-
Gentleman's Agreement (1947) 8/3
Pinky (1949) 3/-
Panic in the Streets (1950) 1/1
A Streetcar Named Desire (1951) 12/4
Viva Zapata! (1952) 5/1
On the Waterfront (1954) 12/8
East of Eden (1955) 4/1
Baby Doll (1956) 4/-
Splendor in the Grass (1961) 2/1
America, America (1963) 4/1
The Last Tycoon (1976) 1/-

Over a period of 16 years, from 1945 through 1960, he amassed a body of work that might never be equaled by any other director. He directed 10 different films that received Oscar nominations, including four films for which he received Best Director nominations. He also directed six Broadway plays, and was Tony nominated for all. In 1947, he managed to find time to co-found The Actors Studio (with Cheryl Crawford and Robert Lewis), where the concept of "Method Acting" was pioneered. His theater successes included Arthur Miller's All My Sons and Death of a Salesman, William Inge's The Dark at the Top of the Stairs, and Tennessee Williams' A Streetcar Named Desire, Cat on a Hot Tin Roof, and Sweet Bird of Youth. He won the Tony Award for Best Director three times. He also won two Best Director Oscars, for Gentleman's Agreement and On the Waterfront. He was nominated for A Streetcar Named Desire, Baby Doll, and, in the early '60's, America, America.


Elia Kazan's films were all rooted in great scripts, as 11 of the 13 films listed in this Director-y received screenplay nominations. Only Pinky and The Last Tycoon missed out. He directed socially conscious films, addressing such issues as Anti-Semitism, racism, public corruption and alcoholism. His psychological and emotional inner-realism, developed for the stage, translated well onto the big screen, with brooding, sensitive and sometimes volatile performances being given by Marlon Brando, James Dean, Anthony Quinn, Rod Steiger, Karl Malden and Lee J. Cobb, among others.


While with the Group Theater back in 1934, Kazan had been a member of the Communist Party for 18 months. He then had a change of heart, renouncing their philosophies "in disgust". In 1952, he was called to testify before the House Committee on un-American Activities (HUAC). He refused to say that the Group Theater was a "front" for the Communist Party, and would not incriminate anyone. Unfortunately, strong pressure from the head of 20th Century-Fox, Spyros Skouras, made him change his position. Threatened with never working in pictures again, Kazan finally acquiesced and gave the Committee names of several individuals who had been Party members, including Clifford Odets, Lee Strasberg, Lillian Hellman, and John Garfield, all of whom had already been named by other people. Kazan was scorned by many in the Hollywood community, but continued to direct powerful and important works, both on stage and screen.


In 1999, Elia Kazan was awarded an Honorary Oscar Statuette, "In appreciation of a long, distinguished and unparalleled career during which he has influenced the very nature of filmmaking through his creation of cinematic masterpieces". Nearly 50 years had passed since the "blacklist scandal", but memories were long and unforgiving. The Executive Council of the Eastern unit of the Writers Guild of America voted to protest the giving of the honor, and many people in the audience at the Oscar Awards ceremony remained seated and refused to applaud when Kazan appeared on stage. It was a controversial ending to a controversial career.


Some of Elia Kazan's films that did not receive Oscar consideration: Sea of Grass, Man on a Tightrope, A Face in the Crowd, Wild River, The Arrangement and The Visitors.


Elia Kazan died on September 28, 2003, of natural causes, in Manhattan, New York, a short distance from where he had achieved his greatest stage successes. He was 94 years old.